
The Man Who Ate the 747
by Ben Sherwood
Nonfiction · 1050L
A clever, unsettling adult-crossover essay that teaches skepticism through a true story of a man who ate metal—ideal for older kids beginning to question media and narrative authority.
For a reader who just finished
after The Undercover Economist by Tim Harford

Nonfiction · 1050L
Witty and rigorous economic primer aimed at adults; too dense and abstract for the 5–9 set, and children lack the real-world context (housing markets, airline revenue management) that makes examples stick.
Same style

by Ben Sherwood
Nonfiction · 1050L
A clever, unsettling adult-crossover essay that teaches skepticism through a true story of a man who ate metal—ideal for older kids beginning to question media and narrative authority.

by Andy Weir
Nonfiction · 1050L
Genuinely gripping survival narrative that treats science and engineering as heroic; the log format makes failure and iteration transparent, not hidden. Profanity and some mature situational humor mean younger readers need maturity, not age alone.

by Jeannette Walls
Nonfiction · 1010L
A brutal, unflinching family portrait that reads like a grown woman finally telling the truth—emotionally mature 13-year-olds will feel seen by the specificity, but younger readers will miss the nuance and need real preparation.
Complementing on supply demand
by Barbara Cooney
Picture book · ages 4–8 · grades K–3 · 620L
A Caldecott triumph that teaches supply-and-demand economics and seasonal patience through lyrical understatement—Cooney's watercolors make the repetition sing, not bore.

by Jonathan Evison
Middle grade · ages 10–14 · grades 5–9 · 780L
The rare middle-grade novel that makes entrepreneurship and microeconomics tangible without preaching; funny enough to reread, instructive enough to spark backyard schemes.

by Sharon G. Flake
Middle grade · ages 8–12 · grades 3–7 · 750L
A sharp, unflinching look at a kid building a school-supply monopoly and discovering that hustle culture and friendship don't automatically go together—Flake writes dialect-forward and doesn't soften the girl's ambition or the mess she makes.