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Books like P.S. I Still Love You

after P.S. I Still Love You by Jenny Han · ages 14–18

Cover of P.S. I Still Love You

Young adult · grades 9–12 · 750L

A smart, emotionally honest follow-up that deepens Lara Jean's voice and actually complicates the romance rather than just extending it—teen readers see themselves in her ambivalence.

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Cover of The Henna Wars

The Henna Wars

by Adiba Jaigirdar

Young adult · ages 14–18 · grades 9–12 · 870L

A razor-sharp, genuinely funny coming-of-age story grounded in Irish-Indian identity and family love; Nishat's voice is immediate and the henna-business subplot is a clever metaphor for claiming space.

Cover of Starfish

Starfish

by Akemi Dawn Bowman

Young adult · ages 14–18 · grades 9–12 · 750L

A stealthy masterpiece about bisexual Japanese-American identity and the lifelong work of separating parents' harm from parents' love—gorgeously written, structurally clever, and utterly unpatronizing.

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Cover of Strange the Dreamer

Strange the Dreamer

by Laini Taylor

Young adult · ages 14–18 · grades 9–12 · 950L

Laini Taylor at her most lyrical and expansive—a sensual, ornate fantasy that trusts teen readers to sit in ambiguity and mystery without rushing toward answers.

Cover of The Passion of Dolssa

The Passion of Dolssa

by Julie Berry

Young adult · ages 14–18 · grades 9–12 · 820L

A historically grounded love story about conviction and heresy that trusts teens to hold complexity—the Church isn't evil, the family's fear is rational, and Dolssa's choices carry real cost.

Complementing on a good life

Cover of The Midwife's Apprentice

The Midwife's Apprentice

by Karen Cushman

Middle grade · ages 10–14 · grades 5–9 · 780L

A Newbery winner that earns it: a girl with no name becomes herself through honest work and adult recognition; the medieval setting and childbirth apprenticeship feel urgent and real, not decorative.

Cover of True Biz

True Biz

by Sara Nović

Middle grade · ages 10–14 · grades 5–9 · 820L

A genuinely original YA-crossover novel that treats Deaf culture as protagonist, not obstacle—kids learn to think in sign while wrestling with identity questions that feel urgent, not didactic.

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