
The Man Who Ate the 747
by Ben Sherwood
Nonfiction · 1050L
A clever, unsettling adult-crossover essay that teaches skepticism through a true story of a man who ate metal—ideal for older kids beginning to question media and narrative authority.
For a reader who just finished
after Elements of Literature -- Second Course by Robert E. Probst · ages 6–12
Same style

by Ben Sherwood
Nonfiction · 1050L
A clever, unsettling adult-crossover essay that teaches skepticism through a true story of a man who ate metal—ideal for older kids beginning to question media and narrative authority.

by Andy Weir
Nonfiction · 1050L
Genuinely gripping survival narrative that treats science and engineering as heroic; the log format makes failure and iteration transparent, not hidden. Profanity and some mature situational humor mean younger readers need maturity, not age alone.

by Judy Fong Bates
Nonfiction · 1050L
A spare, unflinching memoir of a Chinese-Canadian childhood that avoids sentimentality and teaches how identity persists in hostile soil — reads older than its years, best for reflective kids or classrooms studying immigration.
Complementing on truth

by Varian Johnson
Middle grade · ages 8–12 · grades 3–7 · 730L
A genuinely smart mystery that teaches the hard history of Jim Crow without moralizing — kids solve the puzzle alongside the protagonist while learning what systemic racism looked like up close.

by Bonnie Tsui
Nonfiction · 1050L
A rigorous people's history that treats Chinese-American communities as agents rather than victims; dense but essential for teens beginning to understand how immigration and belonging actually worked in America.

by Robie H. Harris
Picture book · ages 4–8 · grades K–3 · 500L
The gold standard for early-elementary sex ed—matter-of-fact, funny without being coy, and gives parents language they were probably never given themselves.
We'd skip — for now

by V. Arrow
A step up — ages 13–18 · grades 8–12
Skip it if your teen hasn't read *The Hunger Games* or isn't interested in the series; this is entirely companion material with no standalone narrative.